Corridor
2025, photo installation
「或許是只有我一人在老宅中，有些坐立難安。我依戀過往的情景而在奶奶的藤椅前停下，轉頭發現那是個視野極好的座位。雖在廁所門口，也看不見窗外的景色，但那是唯一一個能將整個家盡收眼底的視角，而在視線的盡頭奶奶的房門總是緊閉著。我沿著圓桌在其另一端爺爺的位子坐下，不願將一切看得那麼清楚。而她在那個位子，看著空盪盪的家，坐了好久好久。
爺爺奶奶的年代，他們卡在時間的洪流而不曾真正的屬於社會，他們不是天皇的子民，也不是說國語的人民，沒有教育支撐他們擁有思想，只尋求日子的溫飽。
即便後來生活逐漸富足，對於更好的生活仍只是每天都有飯吃，每天家裡都有人。」
〈長廊〉是一組攝影系列，於展場兩側牆面上排列而開，六組影像分別配置於相對的牆面，彼此對望，影像取自老宅中六個不同房間，透過由內而外、由外而內的觀看視角相互回應，讓展場兩側牆面形成一條被影像包覆的迴廊。影像取景自祖母經常停留的位置，從那裡望去，是一條貫穿整棟老宅的長廊，也是她日復一日觀看生活流動的視角。重複出現的觀看方向，使空間同時成為通道與停留之所，映照出家庭日常在時間中緩慢展開的節奏。
Corridor〈長廊〉is a photographic series installed along the two opposing walls of the exhibition space. Six pairs of images are arranged facing one another, drawn from six different rooms in the family home. Shot from alternating viewpoints—looking outward from within and inward from outside—the images respond to one another across the space, forming a corridor defined by opposing perspectives. Photographed from positions where the artist’s grandmother often sat, the images recall the long hallway that runs through the entire house—her daily vantage point from which she observed the flow of life. The repeated direction of viewing allows the space to function simultaneously as passage and pause, reflecting the slow unfolding of everyday family rhythms over time.
(description written by Man-Ling Cheng)
